As demonstrated by the very high attendance at the Audio Extras event, IAR students are interested in having their own studios. On October 16th, faculty member Mario Salvati jumped right into delivering a step-by-step tutorial on how to build a studio. Mario first stated that whether the studio would be used for commercial or private use would affect the entire project. Each path includes a unique set of parameters and expectations and, of course, budget concerns which need to be addressed and mapped out. Next followed a discussion of room and space requirements and limitations relating to the engineer’s needs. Mario detailed the differences between what defines a “world-class” studio and an in-home studio and building to the anticipation of the level of clientele an engineer can expect. He referenced many lessons the students had learned or were learning at IAR and their practical uses when building a control room. These included frequency range and resonant and harmonic frequencies, mathematical calculations for room design, and the relationship between studio monitors, the room, and the human ear.

Mario surprised the students when he said that “60-70% of your budget will go into sound isolation.” This related to the physical construction of the studio. Students were given a lesson in carpentry and construction, including the necessary materials, where to buy them, what amount to spend, and how to put the pieces together. Everyday spaces and objects that students gave little notice to before, such as windows, doors, floors, walls, and ceilings became important factors and challenges. The evening lasted over two hours and Mario provided a great wealth of information from start to finish. Students who attended the session left with a better understanding about constructing a home studio that would contribute to their future success as composers, producers, and audio engineers.